In a suspended state, a front line advances inexorably, creating a dystopian space.
Absurdly, objects escape almost unnoticed, like vestiges or traces of our passage on earth. It’s an ode to slowness and simplicity in the face of generational anxieties.
Slowness was a genuine, almost political choice: to relearn how to stretch time, to fight against the rapidity of our relationships with things and people, choosing sobriety, to make movement full and simple, without emphasis.
This piece tackles the great tragedy of the century: the churning of air.
choreography: Julie Botet, Simon Le Borgne, Max Gomard, Philomène Jander, Zoé Lakhnati, Ulysse Zangs
performance: Julie Botet, Simon Le Borgne/Tom Levy, Max Gomard, Philomène Jander/Eva Galmel, Zoé Lakhnati
music creation: Ulysse Zangs
lighting design & stage management: Dgiorgia Chaix
costumes: Thomas
distribution/production: Dora Pentchev
associate production: Théâtre Molière Sète – Scène nationale archipel de Thau
duration: 45 min
